EDUCATION
PhD, Harvard University, Film and Visual Studies and Critical Media Practice, Cambridge, MA (expected 2022)
MFA, University of California Los Angeles, Department of Art, Interdisciplinary Studio, Los Angeles, CA
Skowhegan School of Painting and Sculpture, Madison, ME
Maîtrise, University of Paris-III Sorbonne Nouvelle, Cinéma et Audiovisuel, Paris, France
Diplôme de l’école, Ecole Normale Supérieure, rue d’Ulm, Paris, France
BA, Harvard College, Cambridge, MA
SOLO AND TWO-PERSON EXHIBITIONS
2018 broke down re source, Los Angeles Contemporary Archive, Los Angeles, CA
2017 Broken Ground, Angels Gate Cultural Center, San Pedro, CA
SELECTED GROUP EXHIBITIONS AND SCREENINGS
2020 Lumen Quarterly, WOVCD, Beijing, China
2019 Cinéma du Réel, Centre Georges Pompidou, Prix Internationale de la Scam, Paris, France
2019 By & By, Durden and Ray Gallery, Los Angeles, CA
2018 Every Unlikely Story, Human Resources, Los Angeles, CA
2018 UCLA MFA Thesis Show #4, New Wight Gallery, Broad Art Center, Los Angeles, CA
2017 UCLA Thesis Preview Show, New Wight Gallery, Broad Art Center, Los Angeles, CA
2016 Re:development, Fort Point Art Community and Atlantic Wharf Gallery, Boston, MA
2014 Living As Form, Carpenter Center for Visual Arts, Harvard University, Cambridge, MA
2014 Hutchins Center for African and African American Research, Harvard University, Cambridge, MA
2014 Open Engagement, Queens Museum, Queens, NY
2014 Reclaim Environment, Human Resources, Los Angeles, CA
2013 New York Art Book Fair (with Red76), New York, NY
2012 Spontaneous Interventions, U.S. Pavilion of the 13th Venice Architecture Biennial, Venice, Italy
2011-14 The Imaginary Archive, Galway, Ireland and Kyiv, Ukraine
2012 Chiasmus: Zones of Aesthetic and Political Imagination, University of California Irvine, Claire Trevor School of The Arts, Irvine, CA
2011 Experience Economies 4: Chamber Play, Cambridge, MA
2011 No Comment, J.P. Morgan Building, New York, NY
2010 Cambridge Talks IV: Design Politics, Harvard Graduate School of Design, Cambridge, MA
2010 New York City Electroacoustic Music Festival, Issue Project Room, New York, NY (with James Borchers)
SELECTED PUBLISHED WRITINGS
“On Institutional Democratization and Reflexive Resistance” October, winter 2021
“Interview with Shmuel Gonzalez,” FIELD, Feb. 24, 2020
"Civil Resistance and Its Discontents," e-flux conversations, March 7, 2017
"Reconsidering the Aesthetics of Liberalism," e-flux conversations, Jan. 18, 2017
“Godard’s Remote Control,” in A Companion to Godard, ed. Tom Conley and T. Jefferson Kline, Wiley-Blackwell, 2013
“No One’s Home: la bureaucratie néolibéral et la force du langage,” in La Bureaucratisation du monde, ed. Béatrice Hibou, Editions La Découverte, 2013.
Trans. Nancy, Jean-Luc, “Jacques Ranciere and Metaphysics,” in Jacques Rancière: History, Politics, Aesthetics, ed. Gabriel Rockhill and Phil Watts, Duke University Press, 2009.
“De la subjectivité à l’âge de la radio: Godard et ses acteurs: 2 ou 3 choses que je sais d’elle,” trans. Jacques Aumont, Cinéma 014, Ed. Léo Scheer. Autumn, 2007, 32-50.
Trans. Hibou, Béatrice. “Domination and Control in Tunisia: Economic Levers for the Exercise of Authoritarian Power,” Review of African Political Economy, 108, June, 2006, 185-206
“The Fugitive,” Boston Review, April/May, 2004
Trans. Lazzarato, Maurizio. “The Political Form of Coordination,” Multitudes 17, Summer 2004
SELECTED AWARDS, GRANTS, AND FELLOWSHIPS
2020 Foundation for Contemporary Art Emergency Grant, New York, NY
2019 Prix International de la Scam, Cinéma du Réel, Paris, France
2019 Nominee, Rema Hort Mann Emerging Artist Grant Los Angeles, CA
2019 Harvard Film Study Center / Flaherty Film Seminar Fellowship
2019 Foundation for Contemporary Art Emergency Grant, New York, NY
2018 Skowhegan School of Painting and Sculpture Grant, Skowhegan, ME
2018 Critical Media Practice Mellon Fellowship, Harvard University, Cambridge, MA
2017 John Baldessari Family Fellowship, Los Angeles, CA
2015 Elaine Krown Klein Fellowship, Los Angeles, CA
2014 Department of Art Award, UCLA, Los Angeles, CA
2014 Resnick Family Fellowship, UCLA, Los Angeles, CA
2010-2014 Derek Bok Center Award for Teaching Excellence, Harvard University, Cambridge, MA
2013 Weatherhead Center for International Affairs Fellowship, Cambridge, MA
2013 History Design Studio Fellowship, W.E.B. DuBois Institute, Cambridge, MA
2012 Harvard Graduate School of Arts and Sciences Merit Fellowship, Cambridge, MA
2012 David Rockefeller Center Fellowship, Harvard University, Cambridge, MA
2011 Presidential Public Service Fellowship, Harvard University, Cambridge, MA
2010 Film Studies Center Fellowship, Harvard University, Cambridge, MA
SELECTED BIBLIOGRAPHY
“Cinéma du Réel: This Side of History by John Hulsey José Sarmiento Hinojosa, Desistfilm, March 26, 2019
“Filme austríaco ganha festival Cinema du Réel em Paris,” Diario de Noticias, March 23, 2019
“Best of 2017,” Hyperallergic, Dec. 20, 2017
“The Contemporary Oddities of the Los Angeles Contemporary Archive,” Michael Valinsky, Hyperallergic, Jan. 6, 2018
“Chinatown Hopscotch,” Moj Mehr-Assa, Artillery Mag, Dec. 14, 2017
“Light Projection Aims to Remind Trump His Tower Was Built by Undocumented Workers,” Carey Dunne, Hyperallergic, Sept. 20, 2016
“Artists and Activists Trace Boston’s Historic Red Line on the Streets,” Haley ED Houseman, Hyperallergic, Sept. 22, 2015
“Occupying Empty Houses and Airwaves To Fight Foreclosures in Boston,” Interview with Marisa Mazria Katz, Creative Time Reports, July 1, 2014
“Housing Activists Plan Pirate Radio Broadcast From Occupied Dorchester Duplex,” David Goodman, Open Media Boston, June 6, 2014
“What We Talk About When We Talk About Social Practice Art,” Anya Ventura, Big Red & Shiny, April 10, 2014
“Toying With Our Tendency To Trust Photographs,” Cate McQuaid, The Boston Globe, Feb. 25, 2014
“Protesters Send Digitized Memo to Bank,” Geoff Edgers, The Boston Globe, May 5, 2012
“Art Installation Protests Eviction,” Rebecca Oliveira, Jamaica Plain Gazette, August 17, 2012
“Home Theater,” Mikhail Zinshteyn, The American Prospect, April 23, 2010.
“72 Hours,” Groundswell Journal, Half Letter Press, 2010
“Fighting Foreclosure, One Home at a Time: Shadow Cinema,” Chris Faraone, The Boston Phoenix, April 7, 2010
“Angst vor der Deutschen Bank,” Heike Slansky, WISO News Magazine, Zweites Deutsches Fernsehen, Germany, March 22, 2010
“Putting a Spotlight on the Families of Foreclosure,” John Leland, The New York Times, March 21, 2010
“Art Meets Activism at Dorchester Foreclosure Protest,” Sandra Larson, The Bay State Banner, March 18, 2010
PROFESSIONAL EXPERIENCE
2021-2022 Visiting Fellow in Art and Public Life, Wesleyan University, CT
2019-2021 Andrew W. Mellon Postgraduate Research Fellow in Interdisciplinary Arts Practices, Wesleyan University, CT
2017-2018 Departmental Teaching Assistant, Department of Art, UCLA, Los Angeles, CA
2005-2007 Lecturer, New York University in Paris, France
2006-2007 Lecturer, Wells College, Paris, France
2006-2007 Lecturer, Institute for European Studies, Paris, France
TALKS, PRESENTATIONS, WORKSHOPS
Ecole des Beaux Arts, Paris, France
UCLA Department of Art, Los Angeles, CA
Open Engagement, Queens Museum, Queens, NY
Wesleyan University, Department of Art and Art History, Middletown, CT
Harvard University, Department of Visual and Environmental Studies, Cambridge, MA
MIT, Program in Art, Culture and Technology, Cambridge, MA
American University in Paris, Paris, France
SELECTED CURATORIAL PROJECTS
Into the Deluge, Wesleyan University Center for the Arts, 2021
What Is To Be Undone? Fernanda Fragateiro, Renée Green, Ahmet Ögüt, Raqs Media Collective, Harvard Art Museums, 2015
Jesse Aron Green: Ärztliche Zimmergymnastik, Harvard Art Museums, 2015
Department of Public Imagination, Design Studio for Social Intervention, 2013